After coming to live in Japan (1890), Lafcadio Hearn listened intently to the folk stories and ghostly tales that were related to him. He then wrote them down in English, adding his own unique style and began publishing books of his gathered observances and retellings. Glimpses of Unfamiliar Japan, Exotics and Retrospectives, and Kwaidan to name a few.
Today on Uncanny Japan, I read you “Mimi-nashi Hoichi”, arguably Mr. Hearn’s most well known story. A story that has been made into a movie, appears on stage, shows up in manga, music, and is told on stages even today. As a matter of fact, I have tickets to go see a performance of Mimi-Nashi Hoichi in May.
The music bed for today’s Story Time by my musician son, who also does the intro/outro music. Julyan Ray Matsuura. Here and here. And here.
Story Time is a little bit different than the usual Uncanny Japan podcast. Instead of me telling you about some interesting, odd, or spooky tidbit, I’ll be reading you a story. This is something I do over on Patreon once a month. There I call them Bedtime Stories and they’re more varied, from obscure pieces of folklore I find, translate, and slightly reimagine (for the story’s sake), to pieces I discover in the public domain and sometimes even my own work. But that’s that.
Here on Uncanny Japan, I’ve decided to also occasionally visit story telling. The folktales will be different than the ones on Patreon and I’m going to start with some of Lafcadio Hearn’s wonderful pieces that are up on Gutenberg.
Another thing, on the regular Uncanny Japan podcasts I use my binaural mics to record ambient sounds from my little part of Japan. However, with the Story Time episodes I’ll be using a music bed provide by my musician son, who also does the intro/outro music. Julyan Ray Matsuura. Here and here. And here.